FilmLune · création et galerie IA
Prompts sélectionnés | Créez facilement des images et vidéos IA
Comprendre FilmLune
FilmLune réunit un générateur d’images IA et une galerie d’exemples image et vidéo. Chaque fiche présente le résultat, le prompt disponible, le modèle déclaré et une méthode à adapter.
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Deux points d’entrée
Partez d’un exemple image pour travailler une composition fixe, ou d’un exemple vidéo pour étudier le mouvement, les entrées et la durée. Chaque bibliothèque renvoie vers les mêmes fiches canoniques.
Repères utiles
Les modèles et réglages décrivent la révision visible : FilmLune ne remplace pas silencieusement le modèle pendant le transfert. Une œuvre externe conserve son attribution et son lien source sur sa fiche.
Seulement lorsque les droits de la révision le permettent. La fiche conserve alors le prompt et sa provenance ; une action indisponible n’est pas remplacée par un faux contenu.
Non. Une version de modèle, une entrée ou un réglage peuvent modifier le rendu. Utilisez la méthode comme point de départ et vérifiez les paramètres avant de générer.
PROMPT
Create one 9:16 vertical, photorealistic smartphone photograph as the opening frame of a fictional sports-stunt video. Show one complete scene, like a spectator’s casual phone recording at a lively outdoor Asian sports festival.
SETTING AND RAMP:
A giant wooden U-shaped half-pipe occupies an outdoor event space under a clear blue sky. Its riding surface is warm honey-colored plywood with visible rectangular panel seams, subtle scuff marks, and realistic material texture.
The structure consists of two opposing tall curved walls connected by a long, broad, flat wooden runway. In this opening composition, only the distant wall behind the athlete is visible. It rises approximately eight meters high in the background, slightly left of center, curving smoothly from the flat runway into a nearly vertical upper section. Black steel supports and narrow railings frame its sides and top.
The opposite wall is behind the camera and outside this image. Do not try to show both ends of the half-pipe in the opening frame.
ATHLETE:
A fictional adult East Asian female athlete in her mid-twenties is running toward the camera from the middle distance, approximately ten to twelve meters away. She has a strong athletic build, black hair secured in a neat ponytail, and a focused, confident expression.
She wears a fitted, sleeveless red gymnastics leotard with a high neckline and elegant gold sweeping accents, white ankle socks, and clean white athletic shoes. Her outfit is practical competition sportswear.
Her entire body is visible. Capture her naturally mid-stride, one knee coming forward and her arms pumping. She is still on the flat wooden runway, with a substantial clear stretch of runway between her and the camera.
CAMERA AND COMPOSITION:
The camera is at a standing spectator’s chest height, beside the runway rather than in the athlete’s path. Use a natural smartphone wide-angle perspective.
The flat wooden runway fills much of the lower half of the image and leads toward the athlete and the towering curved wall behind her. Keep the framing wide enough to establish the running distance, the scale of the ramp, and the surrounding crowd. This is an environmental action photograph, not a close-up portrait.
CROWD AND ATMOSPHERE:
Dense rows of predominantly Asian spectators stand behind silver crowd-control barriers along both sides. They wear casual summer clothing and caps, with many holding phones toward the athlete. A few foreground hands and phones appear only at the extreme edges, leaving the central action unobstructed.
Small red, gold, and blue festival banners decorate the distant event area. Bright direct sunlight creates crisp shadows on the wooden floor. Natural skin texture, ordinary phone-camera contrast, and authentic outdoor-event detail.
No official event logos, broadcast graphics, captions, watermarks, collage, or video-player interface.Create a 15-second, 9:16 vertical video using the supplied image as the exact opening frame.
Preserve the same adult East Asian female athlete, red-and-gold gymnastics leotard, black ponytail, white socks, white athletic shoes, wooden half-pipe, lighting, and crowd throughout.
STYLE:
A fictional, deliberately exaggerated VFX sports exhibition, filmed with the realistic appearance of an ordinary spectator’s smartphone video. Bright sunshine, natural colors, slight handheld movement, and immediate crowd reactions.
Film the entire sequence as one continuous shot at normal playback speed. The camera operator remains beside the middle of the runway, turning and tilting the phone to follow the athlete. Maintain a clear, continuous route through the same physical space.
[0.0–3.0 seconds]
The athlete accelerates toward the camera along the flat wooden runway. Her stride is powerful and fluid, her arms pumping naturally and her ponytail bouncing with each step.
Spectators track her with their phones. The camera begins panning with her as she approaches, keeping her full body visible and leaving her running path clear.
[3.0–5.0 seconds]
She runs past the camera on the runway side and continues straight toward the opposite end of the half-pipe.
The spectator turns the phone in one continuous sweeping pan, changing from a front view to a rear three-quarter view. This movement reveals the second towering wooden wall ahead of her.
The newly revealed wall belongs to the same U-shaped structure: a broad honey-colored surface that curves smoothly upward from the flat runway. The first wall is now behind the camera.
She reaches the beginning of the upward curve without slowing.
[5.0–8.5 seconds]
She runs directly up the center of the curved wall, carrying her forward momentum upward in an impressive, gravity-defying wall run.
Her shoes make successive visible contacts with the wooden surface. Her body follows the increasing steepness of the curve, and her moving shadow remains visible on the ramp.
The camera tilts upward to follow her, showing the immense height of the wall and the clear sky above its rim.
At the top lip, she briefly plants her feet and makes a quick half-turn to face back down into the half-pipe. Her arms rise in preparation for the jump. Keep this transition quick and continuous.
[8.5–10.5 seconds]
She launches upward and outward from the lip, over the inside of the half-pipe, rising clearly above the top edge.
In one uninterrupted airborne movement, she pulls into a compact tuck and performs EXACTLY TWO consecutive forward somersaults: one complete head-over-heels rotation, immediately followed by a second complete head-over-heels rotation.
These are two forward flips around a horizontal axis, totaling 720 degrees, not upright spins or sideways twists.
Keep her entire body visible against the blue sky throughout both rotations. After completing the second rotation, she opens out of the tuck and extends her legs downward, ready to reconnect with the ramp.
[10.5–13.0 seconds]
She returns feet-first onto the sloping wooden face below the lip, bending her knees to absorb the contact.
The landing flows immediately into a smooth, exaggerated feet-first glide down the ramp. Her white shoes track the wooden surface while she maintains a balanced upright posture, following the curve from the steep wall into the flat bottom.
The camera tilts downward with her in the same uninterrupted shot. Her shadow follows her across the wood.
As she reaches the flat runway, she straightens, brings both feet together, and settles into a firm, stable stop. Complete the entire descent before the celebration begins.
[13.0–15.0 seconds]
Now standing securely on the flat wooden floor, she raises both arms high in a triumphant V and smiles broadly toward the spectators and camera.
Hold a clear full-body view, including both white shoes planted on the flat surface. The giant curved wall towers behind her.
The crowd erupts into applause and excited cheering, with phones lifting higher to capture the finish. End on her steady, joyful victory pose.
AUDIO:
Natural outdoor crowd ambience, accelerating footsteps on plywood, distinct shoe contacts during the wall run, a brief airborne rush, a landing thump, a short shoe scrape during the descent, and a strong swell of applause and cheers at the final pose. No narration or background music.
CONTINUITY:
One athlete, one continuous take, one takeoff, exactly two airborne forward somersaults, one return to the ramp, and one stable finish on the flat floor. Keep the ramp geometry, athlete’s identity, clothing, and direction of travel consistent. No cutaways, replays, slow motion, or additional flips.Un projet en deux étapes : d'abord une photo verticale 9:16 réaliste d'une athlète s'élançant sur la piste plate d'un grand half-pipe en bois, vue comme un enregistrement de spectateur ; ensuite une vidéo Seedance de 15 secondes qui prolonge cette image fixe en plan-séquence : course d'élan, montée le long de la paroi courbe, saut avec exactement deux salades avant, réception glissée et pose de victoire devant la foule.
Prompts et exemples vidéoProduire un clip d'exhibition sportive fictif, volontairement spectaculaire mais filmé avec l'apparence naturelle d'un smartphone tenu à la main. L'intention est de donner l'illusion d'une captation spontanée de spectateur : lumière directe du soleil, couleurs ordinaires, léger tremblement, réactions immédiates de la foule, sans logotypes, sans graphismes de retransmission et sans interface de lecteur.
1. Générer d'abord l'image d'ouverture (GPT Image 2.5, format 9:16) : une athlète fictive est-asiatique d'une vingtaine d'années, justaucorps rouge à motifs dorés, chaussettes et chaussures blanches, queue de cheval, en pleine foulée vers la caméra à dix ou douze mètres, sur la piste plate. La paroi courbe opposée, haute d'environ huit mètres, domine en arrière-plan légèrement à gauche du centre. La caméra est à hauteur de poitrine, sur le côté du couloir, avec des barrières argentées, une foule dense en tenue d'été et des banderoles de festival rouge, or et bleu au loin. Ne montrer qu'une seule paroi du half-pipe. 2. Utiliser cette image comme première image exacte de la vidéo Seedance 2.5 de 15 secondes en 240:427. 3. Chronométrer l'action : 0–3 s, accélération vers la caméra avec panoramique amorce ; 3–5 s, elle dépasse la caméra et un balayage continu dévoile la seconde paroi ; 5–8,5 s, montée au centre de la paroi courbe, contacts de chaussures visibles, ombre sur le bois, puis demi-tour rapide au bord supérieur ; 8,5–10,5 s, détachement aérien avec exactement deux salades avant consécutives (720 degrés autour d'un axe horizontal, pas de vrille) contre le ciel bleu ; 10,5–13 s, retour pieds sur la pente, encaissement aux genoux, glissade exagérée jusqu'au plat et arrêt stable ; 13–15 s, bras en V triomphant, sourire, applaudissements de la foule. 4. Restituer une bande son naturelle : ambiance de foule, pas accélérés sur le contreplaqué, contacts de chaussures, souffle bref en l'air, impact de réception, raclement pendant la descente, montée des acclamations. Aucune narration, aucune musique.
Le mouvement généré est une exhibition fictive à effet visuel exagéré : la montée verticale et la glissade post-réception défient la physique réelle et ne doivent pas être présentées comme une performance sportive authentique. Le respect strict des deux rotations complètes n'est pas garanti à chaque génération et peut demander plusieurs essais. Le rendu reste celui d'un téléphone : attendez-vous à un contraste ordinaire et à une certaine instabilité de caméra, et non à une image de broadcast. Des détails de la foule ou des banderoles peuvent varier ou se déformer en cours de plan. La vidéo est fixée à 15 secondes en 240:427 et l'image source en 9:16 ; aucun cadrage alternatif n'est prévu ici.