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    MCP 서버
방향키로 16픽셀씩 조절하고, Shift를 누르면 48픽셀씩 조절합니다. Home과 End로 최솟값과 최댓값을 선택할 수 있습니다. 두 번 클릭하면 초기화됩니다.
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    홈작업 공간기록도구스킬즐겨찾기프롬프트

FilmLune 더 보기

    MCP 서버
방향키로 16픽셀씩 조절하고, Shift를 누르면 48픽셀씩 조절합니다. Home과 End로 최솟값과 최댓값을 선택할 수 있습니다. 두 번 클릭하면 초기화됩니다.

FilmLune · AI 생성과 갤러리

엄선된 프롬프트 | AI 이미지와 동영상을 쉽게 만드세요엄선된 프롬프트 | AI 이미지와 동영상을 쉽게 만드세요

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형식별 탐색
AI 이미지 예시 ↗AI 동영상 예시 ↗

FilmLune 알아보기

FilmLune 한눈에 보기

FilmLune은 AI 이미지 생성기와 이미지·동영상 예시 갤러리를 함께 제공합니다. 각 상세 페이지에서 결과물, 제공되는 프롬프트, 명시된 모델, 응용할 수 있는 제작 방법을 확인할 수 있습니다.

모든 프롬프트 둘러보기 ↗

알기 쉬운 제작 방법

예시에서 프롬프트로, 그리고 Studio로

  1. 만들고 싶은 작품에 맞는 예시를 선택하세요.
  2. 상세 페이지를 열어 전체 프롬프트와 실제 작업 순서를 확인하세요.
  3. 정확한 레시피를 호환되는 Studio로 보내고 조정한 다음, 나만의 작품을 만드세요.

두 가지 시작점

이미지 또는 동영상 선택

정적인 구성을 만들려면 이미지 예시에서 시작하세요. 움직임, 입력 자료, 길이를 알아보려면 동영상 예시에서 시작하세요. 두 라이브러리 모두 같은 정식 상세 페이지로 연결됩니다.

이미지 프롬프트 보기동영상 프롬프트 보기

알아두면 좋은 기준

모델, 출처와 신뢰

모델과 설정은 현재 표시된 리비전에 해당합니다. FilmLune은 Studio로 전달할 때 모델을 알리지 않고 바꾸지 않습니다. 외부 작품의 상세 페이지에는 저작자 표시와 출처 링크가 유지됩니다.

모든 프롬프트를 복사할 수 있나요?

해당 리비전의 권한이 허용하는 경우에만 가능합니다. 상세 페이지에는 프롬프트와 출처가 유지됩니다. 이용할 수 없는 기능을 임의로 만든 콘텐츠로 대체하지 않습니다.

결과가 똑같이 나오나요?

아닙니다. 모델 버전, 입력 자료, 설정에 따라 결과가 달라질 수 있습니다. 제작 방법을 시작점으로 삼고 생성 전에 매개변수를 확인하세요.

FilmLune

실제 예시를 활용한 AI 이미지 및 동영상 생성.

모델

이미지 모델

  • GPT Image 2
  • GPT Image 2.5
  • Midjourney V8.1
  • Midjourney V8.2
  • Nano Banana 2
  • Nano Banana Pro

동영상 모델

  • MiniMax H3
  • Seedance 2.0
  • Seedance 2.5
  • Dola AI 대안

자료

  • 모든 자료
  • 업데이트 기록

생성

  • Studio 열기

도구 및 스킬

  • 도구 탐색
  • 스킬 탐색
  • MCP 서버

커뮤니티

  • X에서 FilmLune 팔로우 ↗
  • Discord 참여 ↗

프롬프트

  • 프롬프트 탐색
  • 이미지 프롬프트
  • 동영상 프롬프트

FilmLune

  • 문의
  • 요금

법률 및 개인정보 보호

  • 개인정보 처리방침
  • RGPD
  • CCPA
  • 쿠키 선택
  • 공유 규칙

© FilmLune생성에 필요한 정보를 가까이에서 확인하세요.

이 브라우저에서는 영상을 재생할 수 없습니다.
SpringWang의 아바타SpringWangSeedance 2.5

PROMPT

Create one 9:16 vertical image with the realistic look of a spectator’s smartphone photograph, as the opening frame of a playful, physically impossible VFX stunt.

The setting is a large modern shopping mall with a tall, open central atrium extending several floors down. Multiple levels of shops and glass-fronted balconies surround the void. Long escalators run diagonally through the left side of the background. Above is a high glass ceiling with a rectangular metal grid. Far below are small retail kiosks with green rectangular roofs, bright walkways, and tiny shoppers.

On the right half of the image, a clearly adult woman in her mid-twenties stands on top of the rounded silver metal handrail of an upper-floor glass balustrade. She has dark hair in a high ponytail and wears a light cream short-sleeved cropped T-shirt with fine gray horizontal stripes, matching casual shorts, and thick white mid-calf slouch socks.

IMPORTANT POSITION: both of her sock-covered feet are visibly resting on the narrow TOP of the silver handrail, not on the walkway or a broad ledge. Her full body is visible from head to feet. She faces screen-left toward the open atrium, seen in a three-quarter side view. Her legs are nearly straight, her arms rest beside her body, and she looks down into the atrium. This is the quiet moment immediately before takeoff.

The photographer is on the same upper-floor walkway, a few steps behind and to her side. The handrail extends diagonally from the lower foreground toward the middle-right. The public walkway and a small group of watching shoppers remain visible along the far-right edge.

Through the glass and near the lower-left edge of the frame, reveal a small, partially cropped view of a large circular trampoline on the ground floor, several stories below. It has a black jumping surface and a thick bright orange padded rim. It sits in a clear area of the atrium, slightly outward from the balcony, with spectators gathered loosely around it.

Natural indoor mall lighting, believable architectural perspective, ordinary smartphone wide-angle framing, realistic skin and fabric. Emphasize the deep drop and the contrast between the nearby woman and the tiny ground-floor details.

One complete scene. No captions, watermark, logos, or video-player interface.
Create a 10-second, 9:16 vertical image-to-video clip using the supplied image as the exact opening frame.

Style: a playful, physically impossible trampoline stunt presented as realistic handheld smartphone footage inside a shopping mall. One continuous take at normal speed.

Preserve the same adult woman, ponytail, striped outfit, white socks, silver handrail, glass balustrade, escalators, and mall architecture throughout.

CAMERA RULE:
The person filming stays on the original upper-floor walkway for the entire video. The phone tilts down to follow the descent, then tilts back up to follow the rebound. The camera never travels down into the atrium. Keep slight natural handheld movement without losing the performer.

[0.0–1.0 seconds]
Starting from the supplied frame, the woman briefly bends her knees and makes one small outward jump from the silver handrail into the open atrium. Both feet clearly leave the rail. Her ponytail lifts with the movement. The phone begins tilting downward after her.

[1.0–3.6 seconds]
She descends rapidly, feet first, through the clear space beside the escalators. Her body remains mostly upright, with her arms slightly spread. She becomes smaller as she moves farther from the upstairs camera.

The phone tilts into a steep downward view, revealing the full circular trampoline below: a black mat surrounded by a thick orange padded ring, with spectators standing around the outside. Keep her descending body clearly visible and aligned with the center of the mat.

[3.6–4.5 seconds]
Both sock-covered feet land in the CENTER of the black trampoline mat. The mat visibly stretches downward into a deep bowl beneath her weight, and her knees bend.

The stretched mat immediately recoils upward, launching her into one exaggerated, powerful rebound. Show the complete contact, compression, and release as a continuous movement, synchronized with a deep elastic THUMP-BOING.

[4.5–7.5 seconds]
The rebound sends her rapidly back up through the same open atrium toward the original balcony. During the ascent, she pulls her knees toward her chest and performs ONE complete tucked backward somersault.

The phone tilts upward to follow her. She grows larger as she approaches the camera’s floor, and the original escalators and upper balconies return into view.

After completing the rotation, she opens out of the tuck and extends her legs downward, returning to an upright orientation. Her upward path curves gently back toward her original position on the handrail.

[7.5–8.8 seconds]
She reaches the original upper-floor railing and lands with BOTH feet on the EXACT SAME SECTION of the silver handrail where she started.

Show visible foot-to-rail contact. Her knees bend into a brief crouch and her arms extend for balance. Her ponytail swings forward from the landing. The phone settles back toward its original framing.

[8.8–10.0 seconds]
She straightens fully and stands steadily on the handrail in almost the same pose as the opening frame, facing the atrium. She lowers her arms and gives a small, satisfied smile.

Hold this completed return long enough to make it unmistakable: she is back on the original rail, balanced and stationary. Nearby spectators react with excited screams and cheers.

AUDIO:
Quiet, reverberant shopping-mall ambience throughout. A brief air-and-clothing swish during the drop, one clear trampoline THUMP-BOING during compression and release, and spontaneous crowd gasps, screams, and cheers during the rebound and final landing. No music, narration, or spoken dialogue.

CONTINUITY:
One outward jump, one trampoline landing and rebound, one complete somersault, and one return landing. The trampoline stays fixed on the ground floor. The final landing is on the original handrail, not the walkway. Continuous forward action, not reversed footage. No cuts, slow motion, captions, watermark, or player interface.

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