FilmLune · AI 生成与案例库
精选提示词 | 轻松创作 AI 图片与视频
了解 FilmLune
FilmLune 将 AI 图片生成器与丰富的图片和视频案例库结合起来。每个案例都会展示生成结果、可用提示词、所用模型,以及可供您调整的生成方法。
探索所有提示词清晰可读的生成方法
两种输入方式
可以从静态构图的图片案例入手,也可以通过视频案例研究运动、输入和时长;两类入口都会进入同一份规范案例详情。
实用边界
模型与设置对应当前可见版本:FilmLune 在带入 Studio 时不会静默替换模型;外部作品会在详情页保留署名与来源链接。
仅在该修订版本的授权允许的情况下方可执行。此操作会保留原始提示及其来源信息;不可用的操作绝不会被替换为虚构内容。
不会。不同模型版本、输入和设置都可能改变结果。请把案例方法作为起点,并在生成前核对参数。
提示词
First, lock the initial frame to a realistic one. I've used GPT Image 2.5 and the prompt below:
DIRECTIVE:
Produce one still that reads as a real in-car dashcam frame grabbed from a moving car on a highway. Optical dashcam capture, wide windshield view, windshield glass, A-pillar, a slice of dashboard/hood — lived-in dashcam JPEG, not cinema, not HDR.
BEAT / COMPOSITION:
Looking forward through the windshield. On the LEFT side of the road (left lane or left shoulder, clearly in frame): TWO branded trucks close together.
PEPSI TRUCK (LEFT, CRITICAL):
A full-size Pepsi tanker / delivery truck, official Pepsi blue livery and logos readable. It has a breakdown: a torn ragged hole in the tank wall. A thick, heavy jet of dark-brown Pepsi cola is blasting out of that hole onto the asphalt — lots of liquid, puddle spreading, foam, spray in the air, wet road shine. The truck is stopped or crawling, hazard situation.
MENTOS TRUCK (BESIDE IT, CRITICAL):
Right next to the Pepsi truck (same left cluster, slightly ahead or alongside): a closed box truck / delivery truck with large, unmistakable MENTOS branding on the side (Mentos logo, candy rolls artwork). Rear and side doors CLOSED. No candy spilling. You can clearly read that it is a Mentos truck.
CAMERA PACK:
Fixed dashcam behind the windshield, slight barrel wide, dashboard or hood bottom of frame, windshield dirt/reflections, timestamp overlay optional, daytime road, other traffic farther ahead. Real consumer dashcam still.
LIGHT:
Daylight, overcast or sun, real road color, cola looking like dark soda not black oil.
PHOTOGRAPHIC CHARACTER:
Unstaged dashcam grab — physically grounded trucks, readable brands, the leak is the event.Once it's ready, use it as reference for Seedance 2.5 and this prompt:
[STYLE + CAMERA + ATMOSPHERE]
Vertical 3:4 smartphone video filmed FROM INSIDE a moving car, passenger or driver seat. Phone held handheld (not a bolted dashcam): arms, slight breathing shake, windshield and A-pillar in frame, a slice of dashboard/hood at the bottom, maybe a finger edge. We are ARRIVING — forward motion first, trucks growing larger, then we slow and stop short of the cola lake. CONTINUOUS SINGLE TAKE the entire 15s. Digital pinch-zooms only (no cuts): punch into the Pepsi jet, the jug fill, the Mentos doors, the launch, then zoom out as he shrinks to the horizon. Daylight, overcast, wet asphalt, rain specks on glass. Consumer phone JPEG, autofocus hunting, rolling shutter. Photoreal live physics: cola viscosity, foam, Mentos cases, one adult body launched like a Mentos rocket.
LOCKED SET / VEHICLES:
- LEFT ahead through the windshield: blue Pepsi tanker with a ragged hole, dark-brown Pepsi cola ALREADY blasting onto the lane, spreading cola lake.
- BESIDE it: Mentos box truck, rear doors CLOSED at arrival, Mentos livery readable ("mentos / The Freshmaker").
- Highway continuing past them toward a clear vanishing-point horizon.
- NO other truck for the guy. He does not exit a vehicle.
LOCKED CAST:
- THE GUY: one very large man alone — sweat-dark tank top, cargo shorts, stained baseball cap, Alabama redneck energy. No second person. He ENTERS FRAME FROM THE RIGHT (shoulder / right edge of the windshield view) already on foot — he does not get out of any truck, van, or car.
- HERO OBJECT: one giant gas-station plastic jug / Big Gulp–scale cup in his right hand. Starts EMPTY (daylight visible through clear plastic), stays in that hand until the blast.
Diegetic audio: road noise while arriving, cola hiss, gulping, metal latch, volcanic foam roar, Doppler scream as he flies away, phone mic clipping.
[IMAGE REFERENCES]
[ref_image] = locked opening phone still from inside the car looking through the windshield at the Pepsi tanker + Mentos truck cluster. Tanker, hole, cola jet, Mentos truck, and in-car foreground are LAW. Clip BEGINS with us still rolling toward that cluster.
[TIMELINE SECOND BY SECOND]
0-2s: [HOOK — ARRIVING + ZOOM]
Phone already rolling. Road noise. Through the windshield the Pepsi tanker and Mentos truck are already ahead on the left; cola ALREADY jetting from the hole. We close distance — trucks grow. Digital zoom punches into the Pepsi stream and the hole. By ~2s brakes dip and we stop.
2-4s: [STOP + HE ENTERS FROM RIGHT]
We fully stop. Idle phone shake. Zoom out a notch. THE GUY walks INTO FRAME FROM THE RIGHT — already on foot from the shoulder / right edge, giant EMPTY jug held high, clear plastic with daylight through it. He does not exit any vehicle. He steps straight into the cola lake toward the tanker jet.
4-6s: [FILL — HOLD IT]
He shoves the empty jug INTO the Pepsi stream. ONE CONTACT: jug into the jet. Phone slam-zooms the fill and HOLDS. For a clear moment the jug is visibly filling under the blast — dark-brown cola climbing the plastic, foam boiling over the rim, overflowing his forearm, stream hammering the mouth of the jug. Only then does he pull the full heavy jug out and raise it.
6-8s: [CHUG]
He tilts and CHUGS — huge gulps, cola down the tank top. Empties most of it, gasps, still holding the jug. Turns to the Mentos rear doors. Phone zooms out enough to keep tanker jet + Mentos bumper + him in frame.
8-10s: [OPEN + DUMP]
ONE CONTACT: he yanks both Mentos rear doors open. Cases stacked high. He dumps a case — Mentos rolls cascade into the cola lake. Packs split, white mints into the brown river. Digital zoom on the mint waterfall hitting the puddle. He still stands in the lake with the jug.
10-12s: [IT GOES]
Hard fizz, then a WHITE FOAM COLUMN erupts between the trucks. ONE CONTACT: the fountain hits him from below like a human Mentos rocket. Feet leave asphalt. Jug flies. He launches UP and AWAY down the highway axis. Phone slam-zooms his body leaving the ground, then struggles to track him.
12-14s: [HUMAN FOUNTAIN / SHRINKS]
He is a dark silhouette riding the white column, spinning once, cap gone. The geyser leans him toward the open highway horizon. Foam hits our windshield — phone jerks but stays inside the car, still filming through glass. He becomes a tiny spinning figure on a white spray trail.
14-15s: [PAYOFF — GONE]
Phone holds on the vanishing point as he dwindles to a speck and DISAPPEARS into the horizon haze. Foam still climbing between the trucks, Mentos doors still open, Pepsi still dumping.
[STYLE & QUALITY BOOSTERS]
Photoreal handheld phone from inside a car, 3:4 vertical. Arriving motion then stop. Digital pinch-zooms only, continuous take. One man enters from the RIGHT on foot — never exits a vehicle. Empty jug fills on camera clearly before drinking. Body launched to the vanishing point. Coherent liquid physics. Identity lock to [ref_image] for both trucks, the hole, and the in-car windshield framing.两步创作流程:先用图像模型生成一张逼真的行车记录仪风格静帧,画面中一辆破损的百事罐车正向公路泄漏深棕色可乐;再用该图作为参考,生成一段 15 秒的一镜到底竖屏手机视频,片中一名男子用空壶接可乐、豪饮、把曼妥思倒进可乐湖,最后像人体火箭一样飞向地平线。
视频提示词与案例打造一支喜剧短片,呈现真实可信的手机随手拍质感。静帧锁定场景、两辆卡车的品牌涂装和车内取景;视频在此基础上按秒推进叙事,全程只用数码双指缩放、不切换镜头,并强调可信的液体物理效果,而非电影感画面。
第一步——用 GPT Image 2.5 生成 3:4 参考静帧。提示词要求透过挡风玻璃取景:A 柱、部分仪表盘或引擎盖入镜,玻璃带污渍和反光,白天自然光。道路左侧停着两辆品牌卡车:一辆涂装清晰可读的全尺寸百事罐车,罐体有撕裂的破洞,浓稠的深棕色可乐正喷涌到沥青路面上;旁边是一辆厢式曼妥思货车,车门紧闭、品牌标志一目了然。第二步——将该图作为锁定参考,交给 Seedance 2.5 生成 35:47 竖屏、时长 15 秒的视频。开场车辆仍在向卡车行驶,约第 2 秒停稳;随后男子从画面右缘徒步入镜,手举空壶。接下来他先把空壶塞进可乐流中接满、仰头豪饮,再拉开曼妥思货车后门,把一箱薄荷糖倒进可乐湖;白色泡沫柱随之将他抛向空中,他沿公路轴线飞向消失点,最终缩成一个小点消失在地平线雾气中。提示词把 15 秒切成每两秒一个节拍,每个节拍只安排一个关键动作,并强制一镜到底、仅用数码缩放。
品牌标志的渲染结果只是近似,可能需要多次重试,且并非真实授权的品牌素材。泡沫柱和人体抛飞的物理效果带有风格化处理,每次生成结果会有差异。15 秒一镜到底节奏非常紧凑,任何在转场上浪费的秒数都会压缩结尾表现空间。35:47 并非常见显示比例,在不同平台发布时可能需要轻微裁切。
提示词
First, lock the initial frame to a realistic one. I've used GPT Image 2.5 and the prompt below:
DIRECTIVE:
Produce one still that reads as a real in-car dashcam frame grabbed from a moving car on a highway. Optical dashcam capture, wide windshield view, windshield glass, A-pillar, a slice of dashboard/hood — lived-in dashcam JPEG, not cinema, not HDR.
BEAT / COMPOSITION:
Looking forward through the windshield. On the LEFT side of the road (left lane or left shoulder, clearly in frame): TWO branded trucks close together.
PEPSI TRUCK (LEFT, CRITICAL):
A full-size Pepsi tanker / delivery truck, official Pepsi blue livery and logos readable. It has a breakdown: a torn ragged hole in the tank wall. A thick, heavy jet of dark-brown Pepsi cola is blasting out of that hole onto the asphalt — lots of liquid, puddle spreading, foam, spray in the air, wet road shine. The truck is stopped or crawling, hazard situation.
MENTOS TRUCK (BESIDE IT, CRITICAL):
Right next to the Pepsi truck (same left cluster, slightly ahead or alongside): a closed box truck / delivery truck with large, unmistakable MENTOS branding on the side (Mentos logo, candy rolls artwork). Rear and side doors CLOSED. No candy spilling. You can clearly read that it is a Mentos truck.
CAMERA PACK:
Fixed dashcam behind the windshield, slight barrel wide, dashboard or hood bottom of frame, windshield dirt/reflections, timestamp overlay optional, daytime road, other traffic farther ahead. Real consumer dashcam still.
LIGHT:
Daylight, overcast or sun, real road color, cola looking like dark soda not black oil.
PHOTOGRAPHIC CHARACTER:
Unstaged dashcam grab — physically grounded trucks, readable brands, the leak is the event.Once it's ready, use it as reference for Seedance 2.5 and this prompt:
[STYLE + CAMERA + ATMOSPHERE]
Vertical 3:4 smartphone video filmed FROM INSIDE a moving car, passenger or driver seat. Phone held handheld (not a bolted dashcam): arms, slight breathing shake, windshield and A-pillar in frame, a slice of dashboard/hood at the bottom, maybe a finger edge. We are ARRIVING — forward motion first, trucks growing larger, then we slow and stop short of the cola lake. CONTINUOUS SINGLE TAKE the entire 15s. Digital pinch-zooms only (no cuts): punch into the Pepsi jet, the jug fill, the Mentos doors, the launch, then zoom out as he shrinks to the horizon. Daylight, overcast, wet asphalt, rain specks on glass. Consumer phone JPEG, autofocus hunting, rolling shutter. Photoreal live physics: cola viscosity, foam, Mentos cases, one adult body launched like a Mentos rocket.
LOCKED SET / VEHICLES:
- LEFT ahead through the windshield: blue Pepsi tanker with a ragged hole, dark-brown Pepsi cola ALREADY blasting onto the lane, spreading cola lake.
- BESIDE it: Mentos box truck, rear doors CLOSED at arrival, Mentos livery readable ("mentos / The Freshmaker").
- Highway continuing past them toward a clear vanishing-point horizon.
- NO other truck for the guy. He does not exit a vehicle.
LOCKED CAST:
- THE GUY: one very large man alone — sweat-dark tank top, cargo shorts, stained baseball cap, Alabama redneck energy. No second person. He ENTERS FRAME FROM THE RIGHT (shoulder / right edge of the windshield view) already on foot — he does not get out of any truck, van, or car.
- HERO OBJECT: one giant gas-station plastic jug / Big Gulp–scale cup in his right hand. Starts EMPTY (daylight visible through clear plastic), stays in that hand until the blast.
Diegetic audio: road noise while arriving, cola hiss, gulping, metal latch, volcanic foam roar, Doppler scream as he flies away, phone mic clipping.
[IMAGE REFERENCES]
[ref_image] = locked opening phone still from inside the car looking through the windshield at the Pepsi tanker + Mentos truck cluster. Tanker, hole, cola jet, Mentos truck, and in-car foreground are LAW. Clip BEGINS with us still rolling toward that cluster.
[TIMELINE SECOND BY SECOND]
0-2s: [HOOK — ARRIVING + ZOOM]
Phone already rolling. Road noise. Through the windshield the Pepsi tanker and Mentos truck are already ahead on the left; cola ALREADY jetting from the hole. We close distance — trucks grow. Digital zoom punches into the Pepsi stream and the hole. By ~2s brakes dip and we stop.
2-4s: [STOP + HE ENTERS FROM RIGHT]
We fully stop. Idle phone shake. Zoom out a notch. THE GUY walks INTO FRAME FROM THE RIGHT — already on foot from the shoulder / right edge, giant EMPTY jug held high, clear plastic with daylight through it. He does not exit any vehicle. He steps straight into the cola lake toward the tanker jet.
4-6s: [FILL — HOLD IT]
He shoves the empty jug INTO the Pepsi stream. ONE CONTACT: jug into the jet. Phone slam-zooms the fill and HOLDS. For a clear moment the jug is visibly filling under the blast — dark-brown cola climbing the plastic, foam boiling over the rim, overflowing his forearm, stream hammering the mouth of the jug. Only then does he pull the full heavy jug out and raise it.
6-8s: [CHUG]
He tilts and CHUGS — huge gulps, cola down the tank top. Empties most of it, gasps, still holding the jug. Turns to the Mentos rear doors. Phone zooms out enough to keep tanker jet + Mentos bumper + him in frame.
8-10s: [OPEN + DUMP]
ONE CONTACT: he yanks both Mentos rear doors open. Cases stacked high. He dumps a case — Mentos rolls cascade into the cola lake. Packs split, white mints into the brown river. Digital zoom on the mint waterfall hitting the puddle. He still stands in the lake with the jug.
10-12s: [IT GOES]
Hard fizz, then a WHITE FOAM COLUMN erupts between the trucks. ONE CONTACT: the fountain hits him from below like a human Mentos rocket. Feet leave asphalt. Jug flies. He launches UP and AWAY down the highway axis. Phone slam-zooms his body leaving the ground, then struggles to track him.
12-14s: [HUMAN FOUNTAIN / SHRINKS]
He is a dark silhouette riding the white column, spinning once, cap gone. The geyser leans him toward the open highway horizon. Foam hits our windshield — phone jerks but stays inside the car, still filming through glass. He becomes a tiny spinning figure on a white spray trail.
14-15s: [PAYOFF — GONE]
Phone holds on the vanishing point as he dwindles to a speck and DISAPPEARS into the horizon haze. Foam still climbing between the trucks, Mentos doors still open, Pepsi still dumping.
[STYLE & QUALITY BOOSTERS]
Photoreal handheld phone from inside a car, 3:4 vertical. Arriving motion then stop. Digital pinch-zooms only, continuous take. One man enters from the RIGHT on foot — never exits a vehicle. Empty jug fills on camera clearly before drinking. Body launched to the vanishing point. Coherent liquid physics. Identity lock to [ref_image] for both trucks, the hole, and the in-car windshield framing.两步创作流程:先用图像模型生成一张逼真的行车记录仪风格静帧,画面中一辆破损的百事罐车正向公路泄漏深棕色可乐;再用该图作为参考,生成一段 15 秒的一镜到底竖屏手机视频,片中一名男子用空壶接可乐、豪饮、把曼妥思倒进可乐湖,最后像人体火箭一样飞向地平线。
视频提示词与案例打造一支喜剧短片,呈现真实可信的手机随手拍质感。静帧锁定场景、两辆卡车的品牌涂装和车内取景;视频在此基础上按秒推进叙事,全程只用数码双指缩放、不切换镜头,并强调可信的液体物理效果,而非电影感画面。
第一步——用 GPT Image 2.5 生成 3:4 参考静帧。提示词要求透过挡风玻璃取景:A 柱、部分仪表盘或引擎盖入镜,玻璃带污渍和反光,白天自然光。道路左侧停着两辆品牌卡车:一辆涂装清晰可读的全尺寸百事罐车,罐体有撕裂的破洞,浓稠的深棕色可乐正喷涌到沥青路面上;旁边是一辆厢式曼妥思货车,车门紧闭、品牌标志一目了然。第二步——将该图作为锁定参考,交给 Seedance 2.5 生成 35:47 竖屏、时长 15 秒的视频。开场车辆仍在向卡车行驶,约第 2 秒停稳;随后男子从画面右缘徒步入镜,手举空壶。接下来他先把空壶塞进可乐流中接满、仰头豪饮,再拉开曼妥思货车后门,把一箱薄荷糖倒进可乐湖;白色泡沫柱随之将他抛向空中,他沿公路轴线飞向消失点,最终缩成一个小点消失在地平线雾气中。提示词把 15 秒切成每两秒一个节拍,每个节拍只安排一个关键动作,并强制一镜到底、仅用数码缩放。
品牌标志的渲染结果只是近似,可能需要多次重试,且并非真实授权的品牌素材。泡沫柱和人体抛飞的物理效果带有风格化处理,每次生成结果会有差异。15 秒一镜到底节奏非常紧凑,任何在转场上浪费的秒数都会压缩结尾表现空间。35:47 并非常见显示比例,在不同平台发布时可能需要轻微裁切。